CRW exhibition and “Boomerang” in Danish press

March 11th, 2010

(left) Helmut Smits, The End, digital video, 2009; (right) Audrey Chan, BOOMERANG , digital video, 2006; Installation photo by Julie Galsbo/BKS Garage

The exhibition “CRW - contemporary reflections on war” at BKS Garage (Copenhagen, Denmark) has been reviewed in the Danish press:

“When you want to understand war” by Michael Jeppesen, Information.dk, March 3, 2010: Danish version | English version

“Warning: Danger of Depth” by Matthias Hvass Borello, KUNSTEN.NU, March 9, 2010: Danish version | English version

CRW - contemporary reflections on war

February 22nd, 2010

My video BOOMERANG (2006) will be on view in the exhibition CRW - contemporary reflections on war at BKS Garage in Copenhagen, Denmark from February 27-March 20, 2010. The exhibition was curated by Malane Dam and Julie Galsbo. For more information, please visit the website: http://contemporaryreflectionsonwar.org/

PRESS RELEASE

BKS Garage præsenterer: CRW - contemporary reflections on war

27 February - 20 March

Welcome to the opening saturday the 27th. of February from 15-18

Ulla Hvejsel, Asmund Havsteen-Mikkelsen, Flaka Haliti (KS/DE), Wiktor Dyndo (PL), Eva la Cour, Stephan Machac (DE), Helén Vigil (SE/ES), Søren Thilo Funder, Audrey Chan (US), Markus von Platen, Lena Simic (UK/HR), Simon Damkjær, Lena Bergendahl (SE), Anne Langgaard, Helmut Smits (NL), Nanna Rützou Abell, Lina Dokuzovic (HR/US), Johanna Tinzl / Stefan Flunger (AUT), Malene Dam, Hannes Zebedin (AUT), Julie Galsbo, Frauke Materlik (DE), Stephanie Misa (RP/US).

Introduction
In many ways war has become part of our everyday lives. We watch more television and are online more than ever before. Images and information is flowing around us, and we are witnessing it all from our living rooms. Meanwhile, the country we live in is at war. However, war seems strangely unreal to many people.

On the 20th of March 2010 seven years have passed since the invasion of Iraq. At the same time the question on whether or not a trial on the legality of the war should be carried out is settled in High Court in Denmark at the beginning of March. Therefore we have chosen to curate an exhibition on war.

The exhibition takes its starting point in the Western world’s seemingly distant and abstract conflicts in an attempt to make them more present to the public. First and foremost this reflects the wars in Iraq and Afghanistan. From here we have broadened our perspective to include other conflicts, which are related to the war on terror as well as works, which are about war in general. We have also chosen to include the Balkan Wars in the 1990’s, as they took place on European soil and therefore in a much more concrete way have direct relevance to our daily lives.

We have urged artists from all over the world, established as well as students, to apply with works and projects, which relate to the topic war. In this way we have gained insight into ways of practice, which we did not know of beforehand, giving us the opportunity to put together an international exhibition that sheds light on the subject from an array of angles.

The art works at CRW are subject to a very long tradition of art, which have war as their turning point. Here we would like to sketch two schools, which are important in relation to the perspectives, which are included in the exhibition. The schools are based on Laura Brandon’s book Art and War from 2007. First and foremost there is a very long tradition for depicting acts of war. Both univocally national and heroic as well as in a more documentary style of visual eyewitness stories from the front. Another trend, which has grown far and wide with the Vietnam War, is an anti-war art. It is often very loaded with pathos and renders its concern about war very clearly.

CRW takes it starting point from the way anti-war art puts war into question. Our focus has been to put together an exhibition, which is analytically critical and reflective. At CRW there are not any simplified protests, no pathos, hardly any depiction of acts of war. You could say that the works do not believe in a critical position within more traditional depictions of war. CRW wants to show other ways of creating critical reflection, which reflects the regimes of imagery we live in. Not through in a naïve way trying to fight the images, but through utilizing the visual, aesthetic, narrative and emotional opportunities imagery opens to alternative, critical, more direct understanding of war and its monstrous and complicated essence.

We hope that we through this exhibition can make distant and abstract conflicts more present to the public and open up to reflections, emotions and thoughts.We are very happy to be able to welcome you to the exhibition CRW – Contemporary Reflections on War.

Yours sincerely,
Malane Dam (phone +45 26706167) and Julie Galsbo (phone +45 26228677)
email: warexhibit@gmail.com
More information: www.contemporaryreflectionsonwar.org

BKS Garage
Ny Carlsbergvej6
1760 Copenhagen V - Denmark
Opening hours: Tue - Fri 12-17, Sat 12-15

“I Voted for Shirley” and “Counts of 8″

January 5th, 2010

“I Voted for Shirley”, text installation with twine at Friends of Distinction (Dan Graham) for the performance event “1969″ organized by Vincent Ramos, December 2009 (photo credit: Audrey Chan)

“Counts of 8″, tap dance performance at Washington & Crenshaw Boulevards, Los Angeles for “A Day in LA: Washington Boulevard Art Concert” organized by Stephen van Dyck, October 2009 (photo credit: Cameron Charles)

“1969″ and “The Sharon Show” @ 1842 Glendale, Saturday December 5 from 7-10pm

December 3rd, 2009

For the “1969″ event, I will be commemorating Shirley Chisholm’s first year in the House of Representatives.

More information about “1969″ and “The Sharon Show”, organized by Vincent Ramos:

DAN GRAHAM
1842 Glendale Blvd.
Los Angeles, CA 90026
DanGraham1842@gmail.com
(323) 600-5731
By Appointment Only

FOR IMMEDIATE RELEASE

Saturday December 5th, 7-10 pm

Dan Graham is pleased to announce a night of two exhibitions “1969″ and “The Sharon Show” organized by Vincent Ramos.

“1969” and “The Sharon Show” are two different exhibitions that will share the same space for one night. “1969” is a show of performance-based works that respond to the key events of 1969 and/or uses them as a catalyst for commenting on our current state of affairs in this country and abroad. “The Sharon Show” is an exhibition of object-based works that give an aesthetic nod to that period while still remaining firmly fixed in today’s society. “The Sharon Show” is named after the actress Sharon Tate, who was murdered 40 years ago this past summer in Los Angeles. Both exhibitions are conceived as dual investigations into the role of anniversaries as they pertain to defining moments in American history.

-Vincent Ramos

For “1969″ and “The Sharon Show” Dan Graham’s sign has been changed out with a sign reading The Friends of Distinction stemming from the Los Angeles R&B group who’s debut album was released in 1969. This temporary name change is something very much encouraged at Dan Graham, which is to support any given exhibition’s context through language and signification.

“1969″ Artists

Danielle Adair
Audrey Chan
Jason Kunke
Elana Mann
Emery Martin
Women Vs Children

“The Sharon Show” Artists

Jeff Brady
Chris Ellis
Kelly Kleinschrodt
LauraLee Pope
Tracy Powell
Carly Steward
David Weldzius
Rosha Yaghmai

“Artists at Work: Patrick Bernier and Olive Martin” on Afterall Online

November 3rd, 2009

Sébastien Canevet and Sylvia Preuss-Laussinotte in X and Y v. France: The Case for a Legal Precedent at the Amphithéâtre de morphologie de l’Ecole Nationale Supérieure des Beaux-Arts in Paris, France, 7 December 2007. Performance by Patrick Bernier and Olive Martin. Photograph: Marc Domage

Artists Patrick Bernier and Olive Martin’s ongoing performance project X. c/ Préfet de…, Plaidoirie pour une jurisprudence (X and Y v. France: The Case for a Legal Precedent, 2007-ongoing), juxtaposes the legal status of an author versus that of an undocumented immigrant (sans papiers) facing deportation in France. As artists concerned with issues of migration, they recognised an irony in the rapid expansion of copyright and intellectual property law in the digital era, on the one hand, and the diminishing rights of immigrants and freedom of movement under French and EU law, on the other. ‘X’ is a character invented by the artists, a stand-in for individuals facing deportation orders in French and European courts. In the performance staged by Bernier and Martin, he or she is not only an illegal immigrant but also an author of a site-specific immaterial work, a shift in status that would accord X different rights and possibly allow them to stay in the country. The legal plea to allow X to stay within France is argued by practicing lawyers (Sylvia Preuss-Laussinotte and Sébastien Canevet) to an imaginary judge, in whose place the audience sits. This transposition implicates the audience in the routine process of entry and expulsion that takes place everyday at the borders of today’s increasingly migrant societies. The project was originally developed under the title Projet pour une jurisprudence during the artists’ residence at Les Laboratoires d’Aubervilliers in 2007. Since that time, iterations of the project have been presented in different art venues in France, Belgium, and Austria.

Read the interview, “Artists at Work: Patrick Bernier and Olive Martin”, by Audrey Chan at: http://www.afterall.org/online/bernier-martin.essay

Read more »

Ponce de Leon @ Machine Project

November 3rd, 2009

I’ll be one of the back-up performers for the eponymous band Ponce de Leon at Machine Project in Echo Park. Come check out the show if you’re in LA!

The Island of Florida: A Revisionist History

Ponce de Leon

Friday, November 20th, 2009
8pm

Machine Project
1200 D North Alvarado

Los Angeles, CA 90026

Back in 2006 the conquest-of-Florida-themed band Ponce De Leon (John P. Hogan, Greg McKenna, and Dave Reich) decided the appropriate showcase for their latest batch of material would be a rock musical to be written and directed by John and to be performed by Hogan, the band, and some friends. This musical, entitled The Island of Florida: A Foundation Myth, would be performed at CalArts as Hogan’s thesis project for his master’s degree, and a little later at the Velaslavasay Panorama Theater. In the years since, perfectionism, attention deficits, the ebb and flow of life, torpor, and a total absence of financial capital meant that the soundtrack to this work of unequivocal genius laid incomplete for years, but now, as if Brian Wilson, Axl Rose, Samuel Beckett, Stephen Sondheim, and Freddie Mercury had an orgy and made a baby out of steroids and cement, the extremely strong and powerful soundtrack is complete and ready to be distributed in some kind of listenable format (TBA).

In order to celebrate this momentous stage of completion, nearly four years in the making, John P. Hogan and Ponce De Leon will be performing a much leaner, meaner, revised and shortened version of The Island of Florida. A version meant to accentuate the cathartic wallop of the first time you heard Ol’ Dirty Bastard jam with Gentle Giant. You haven’t heard that yet? Well get ready for a comparable experience anyway!

You might also listen to the Heretics Lost Podcast by John while you’re at it: http://hereticslost.libsyn.org

Ponce de Leon at Barnsdall Art Park

Ponce de Leon performing at Supersonic @ Barnsdall Art Park in Los Angeles in 2006. Pictured: Jonathan Butt, Audrey Chan, Dave Reich, John Hogan. (Not pictured: Carrie Collins) Photograph: Christina Ondrus

(Above) John Hogan performing as Ponce de Leon in “The Island of Florida” at CalArts in 2006.

Eternal Telethon 11: Día de los Muertos

October 29th, 2009

UPDATE: On Sunday, November 1, I’ll be doing a tap piece with Emery Martin on drums at 4:45 pm PST (California time). Ponce De Leon goes on at 5:40 pm PST.

Upcoming performance in Los Angeles and streaming online:

The ETERNAL TELETHON is a series of webcasts dedicated to raising money for the Eternal Convalescent Home for Retired Artists (E.C.H.R.A.), a sanctuary for fatigued creatives that will be located on the Salton Sea.

From 3-8pm PST on November 1st please visit us online at http://www.eternaltelethon.com or http://www.ustream.tv/channel/eternal-telethon to participate in the Eternal Telethon! We’d love to see you there! Visitors can chat with us, watch the entertainment, and even interact with the performers.

For those of you who’d like to see Eternal Telethon 11 live, we will be broadcasting from 5676 York Blvd. Los Angeles, CA 90042. Please feel free to drop by!

Featured Performers Include:
The Finches
Krystal Krunch
Audrey Chan*
Paul Pescador
Ponce de Leon**
Deirdre McConnell and Anna Mayer
Daniel Ingroff
BYOFF
Anna Jones
A Little Dessert Survive
Guan Rong
Bad Vibrations
Kim Thompson
Patrick Woody
Jenn Bruce
Aaron Wrinkle
John Martin and Antone Konst
John Brrrlogg
Adam and John
John Burzzling
Kiki Johnson
God = Genocide (playing songs from the american song bag)
Marcos Siref
Lawrence Joseph McEvoy III
Adam Overton
Abraham Lincoln
Sugar Plum Jackson
Call Me Warthog

The Eternal Telethon series is run by John Burtle, Akina Cox, and Niko Solorio.

* I’ll be doing a tap dance number with Emery Martin on drums
** …and singing/dancing backup for the band Ponce De Leon with John Hogan, Dave Reich, and Carrie Collins. Now on Facebook!

Femmeuses video documentation

October 27th, 2009

FEMMEUSES
by lemurdanslemiroir
I recently came across video documentation by analogues/le mur dans le miroir of the 2007 exhibition “Femmeuses Action # 15, l’exposition” curated by Cecile Proust. My video “BOOMERANG” (2005) appears at 4:13 in this clip. “BOOMERANG” was shown in a looped sequence with Martha Rosler’s “Vital Statistics of a Citizen, Simply Obtained” (1977). To watch the videos, the viewer sat inside of Vito Acconci’s sculptural installation “Adjustable Wall Bra” (1990-1991), where speakers were embedded into the walls of the giant bra cups.

“Counts of 8″ @ A Day in L.A.: Washington Boulevard Art Concert

October 9th, 2009

[Please note, I did not create this video.]
“Counts of 8″
Since moving back to Los Angeles, I’ve been re-learning tap at the Debbie Allen Dance Academy in Baldwin HillsCrenshaw Plaza. All of the combinations that we learn are structured around beat counts of 8, further broken down into 1/2, 1/4, 1/8 beats, etc. Choreography in tap usually starts on the 8th beat. My Achilles heel as a tap dancer is that I’m still learning how to count rhythm, the 1-and, 2-and, 3-and, etc. My grandmother exercises her reflexes every morning by clapping her hands, keeping a beat as regular as a metronome. By concentrating on my grandmother’s steady beat, I hope my tap dancing will steadily improve.
- Audrey Chan

Location: NW corner of W. Washington Blvd. and Crenshaw Blvd. (next to Universal Car Seat Cover, Lock & Key), Mid-City, Los Angeles, California
Time: 3:40-4:00 pm
For more information and inspirational tap videos, please see my blog post at http://washblvd.blogspot.com.
————————————————————–
“A Day in L.A.: Washington Boulevard Art Concert”
Over 60 artists reinterpret public space along entirety of Washington Blvd.

WHERE: The entire length of Washington Blvd., from Whittier to Venice Beach
WHEN: October 11, 2009 12PM-6PM

“A Day in L.A.” shows work from over sixty Los Angeles artists and non-artists in unused public outdoor spaces along the entire length of Washington Boulevard’s 27 miles, from Whittier to Venice Beach. For one day artists will perform works, create installations, facilitate happenings, and make music in unexpected spaces, such as on the sidewalk, between dumpsters, along railroad tracks, as well as inside the audience’s cars as they traverse one of LA’s most iconic boulevards.

Curated by Stephen Van Dyck

Visit http://washblvd.tk for more information about the day’s events and artists.

Palissades #2 @ Onyx, St-Herblain/Atlantis, France

July 11th, 2009

ELOIGNEMENT C’EST L’ELOIGNEMENT from Audrey Chan on Vimeo.

Time-lapse video of the installation of Palissades #2: Audrey Chan, ELOIGNEMENT C’EST L’ELOIGNEMENT. The phrase was inspired by a class field trip to the Nantes Préfecture with my students Mélanie, Nina, and Sarah. We learned that “éloignement” (to be far away from home) is the term used by the French administration for the deportation of “sans papiers” (undocumented immigrants).

This project was a collaboration with graphic designer Nicolas Gautron and artist Marie-Pierre Duquoc.